Music festivals come in all shapes and sizes, and whether you go for the music, the atmosphere, the food or the drink, there's a festival everyone: from the welly-clad lads to the have you heard music nerds. Having frequented a few of the more mainstream events like Reading Festival, and Bestival on the Isle of Wight, I like to think I've come to be somewhat of a connoisseur of the field-footed jamboree. Although as I'm sure many people would be only to quick to point out, I'm merely music-dabbling heathen until I've joined the ranks of the Glasto-going elite.
Nevertheless, I was recently fortunate
enough to attend one of the festival small-fry and experience the
delights of music, mud and mayhem on a small scale firsthand.
Sequestered in the heart of the Oxfordshire countryside, Wood
Festival, as the hippyish name suggests, is a weekend of wholesome
woodland fun featuring some of the countries finest working artists,
good food, and even better beer: all locally sourced and with
sustainability in mind. What's more, with an attendance planted
firmly in the hundreds rather than hundreds of thousands, Wood offers festival loving folk a refreshingly low-key alternative to the muddy
drug-fuelled mayhem of the corporate top-dogs. Past years have
boasted such noteworthy names as Get Cape, Wear Cape, Fly, Frank
Turner, and Fionn Regan, whilst last years lineup sported the likes
of lesser known, but equally talented acts, Paper Aeroplanes, La Mort
Subite, The Wood Brothers, and The Dreaming Spires to name a few.
Founded by brothers Robin and Joe
Bennet in 2008, Wood Festival is a three day event held in Braziers
Park, Ipsden. Sporting a grand total of two stages, and keen green
sensibilities – powering their sound systems on a combination of
solar and bio-diesel and making exclusive use of sawdust toilets over
the conventional plastic port-a-loo – you could be mistaken for
thinking you'd stumbled into some form of musical hippie commune.
It's not just music that Wood has to offer, however, as throughout
the weekend there are more activities and workshops than you can
shake a hippie stick at, from shamanic healing, and costume making,
to cycle repair, and den building. Perhaps unsurprisingly the
festival attracts a large family demographic as a result, and those
in attendance tend to be either the very young, parents, or seasoned
Woodstock Bohemians.
Trevor Moss and Hannah Lou kicked off
Frdiay's festivities at the Wood Stage – a construction not much
larger or different in style to your common-all-garden shed – and
their brand of bewitching folk harmonies and bare-boned guitar
melodies soon warmed up the growing crowd. The first night's headline
spot saw Mary Epworth take to the stage, who's heavily psych-tinged
rock harked to the likes of a folkier Melody's Echo Chamber. Whilst
the main acts normally wrap-up at around midnight, campfire
sing-alongs, film screenings continue into the until the earlier
hours. Unlike your average hundred-and-something-thousand romp in the
park, things at Wood normally quieten down by around 2 or 3, making
camping a breeze: especially if you're one of the lucky few who's got
yourself a Rent-A-Yurt for the weekend.
Saturday saw a whole hole host of local
talent, from the self-described 'glitch tinsel' stylings of Oliver
Wilde, to the impassioned Amy McDonald-esque folk rock of Paper
Aeroplanes. Saturday night at the Wood Stage was where things really
came into their own however, featuring the whisky-smoked jazz-folk of
The Wood Brothers, who's flavoursome Nashville blues rock thoroughly
warmed the growing crowd before the high octane gyspy-folk-fusion of
La Morth Subite. Mixing double bass, accordion, guitar, drums
clarinet, and hurdy gurdy, the zealous five-piece played a spirited
set of gyspy-folk classics that only the most stubborn onlookers
could resist at least toe-tapping to.
Come Sunday and country and western
acts were out in their masses; from husband and wife founded Redlands
Palamino Company, to critically acclaimed dark Ameircana folk outfit
The Cedars, slide guitars and lilting country vocals were the order
of the day. The closing night's bill also saw a one-off collaborative
effort in the Tree Tent, with many of the weekends best acts coming
together to give a heartfelt rendition of Bruce Springsteen's
Nebraska. Finishing up the night with well-deserved aplomb,
Wood's founding Bennet brothers took the stage as The Dreaming
Spires, and with the crowd vocally in-tow Wood Fest 2013 was seen out
with sixties pop-style as the band played a hook-heavy set featuring
Dreaming Spires like Everything All The Time, Not Every Song From
the Sixties Is a Classic, and
Just Can't Keep This Feeling In.
All in all, whilst
Wood Festival will likely never satisfy the appetites of the more
risk-seeking festival goers – lacking the booze-drenched
atmosphere, bass-heavy dance stages, or mountains of unidentifiable
powders inherent to attraction of mainstream festivals – Wood does
present music lovers with a quieter, but by no means boring, weekend
of lesser-known talent, alternative activities, and Earth-friendly
merrymaking, and offers campers a weekend of respite from the urban
sprawl.
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